Directing: Film Techniques and Aesthetic, Fifth Ed by Michael Rabiger
& Mick Hurbis-Cherrier
Focal Press
2013
ISBN: 978-0-240-81845-0 (paperback)
ISBN: 978-0-303-07238-7 (e-book)
Focal Press
2013
ISBN: 978-0-240-81845-0 (paperback)
ISBN: 978-0-303-07238-7 (e-book)
One of the fun things about this guide is seeing the
back-end of films that I have enjoyed and I learned a lot about directing and
films. This excellent book is an
extensively detailed guide steps through process of directing a film. From
choosing a project to the final marketing, this book covers the entire process
of directing a film and the many choices a director will face at each step of
the way.
This book has so much valuable information that a summary
doesn’t do the book justice. The main
parts of the book include Part 1: The Director and Artistic Identity, Part 2:
The Story and its Development, Part 3: The Director and the Script, Part 4:
Authorship and Aesthetics, Part 5: A Director’s Screen Grammar, Part 6:
Preproduction, Part 7: Production, and Part 8: Postproduction.
Directing is more than just technical skill and this guide
discusses the aspects of personal skills, experiences and artistic goals that
have a major part in creating a film.
Each section of the guide contains enough material to be a
book in itself. Throughout, many informative photographs illustrate specific
techniques, shots and how they create a specific feel to a scene or film. The aspiring director will find all of the
basics described in this guide, and a great deal of timesaving techniques,
tracking tools, and tips for avoiding traps and for smoothing the directing
process. Examples from films illustrate
each point or technique throughout the guide.
The authors have melded personal experience and knowledge gathered from skilled
professionals (of the various specialties of filmmaking) into an in depth
walk-through of directing and producing a film.
This is a wonderful tutorial and reference in one. Additional exercises and information available
on the supportive website, give teachers and students of film a complete
package for their journey into growing new directors. I liked the advice given throughout the book
on the interactions with cast and crew.
There is a tendency for students to be focused purely on the technical
skills and forget that a great deal relies on people skills.
The book is a bit technical for the curious dabbler but it
is a wonderful resource for the aspiring director , the film teacher or the
dedicated film buff.
Reviewer for Bookpleasures.com
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